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results 121-140 of 218 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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 Image: Title: Description:

121. [Bookplate for John George Mortlock by Charles William Sherborn] [Bookplate for John George Mortlock by Charles William Sherborn] In black ink, this bookplate consists of a tilted escutcheon and crest framed by an elaborate circular bordure. The escutcheon is divided quarterly ; the first and fourth quadrants, argent (silver), are charged with a fret, azure (blue), and contain a chief, azure, charged with three fleur-de-lis, argent ; the second and third quadrants, sable (black), are charged with three annulets, argent, two over one, and contain a chevron, argent and engrailed. The escutcheon is crested by a closed dexter helmet resting upon the second quadrant, topped by a wreath and a lion sejant, with dexter paw elevated and resting upon a fleur-de-lis, argent. From either side of the helmet flows mantling and a banner which contains the Latin motto. The bordure also contains text.

122. [Bookplate for Joseph Jopling] [Bookplate for Joseph Jopling] Black ink on cream paper. Paper has some damage and discolouration. The crest features a forearm and hand holding onto a shell atop a crest-wreath. The shield is charged with white stars two over one. The stars have shading and have black spots on them. In the center of the shield between the stars is a black crescent moon facing to the left. In the inner curve of the moon is half a human face looking outward. Below the shield, the motto is printed on a curling ribbon in capitalized, black, serif font.

123. [Bookplate for Joseph Wesley Flavelle by Alexander Scott Carter] [Bookplate for Joseph Wesley Flavelle by Alexander Scott Carter] This bookplate's design features an escutcheon argent (silver) divided per chevron, sable (black). It is charged with a dexter hand and a six-pointed star. Above the escutcheon is an esquire helmet and that is charged with a winged arm holding a torch. The escutcheon is surrounded by decorative foliage with banners containing bookplate motto and name below.

124. [Bookplate for Karl Hermann and Michael B. Kunze] [Bookplate for Karl Hermann and Michael B. Kunze] In black ink on white coated paper, an image of a farmer's field. A farmer strolls away from the observer spreading seed from a side-bag. In the distance is what appears to be a town and a church steeple which is framed by radiating sunlight. In the sky above is a bird, possibly a dove. To the right of the field is a road lined with narrow trees and farmhouse situated at the base of a hill, on which possibly sits a castle. In the foreground is a piece of farming equipment and foliage frames the german expression "Und Erliches fiel aut ein gutes Land". The entire image is framed by a shaded border, rounded at the top.

125. [Bookplate for Kathleen Reit and Francis Reit] [Bookplate for Kathleen Reit and Francis Reit] This bookplate's design features a devil-like figure reading a book beneath a tree, by a brook.

126. [Bookplate for Kennedy McIlwraith] [Bookplate for Kennedy McIlwraith] Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.

127. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

128. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

129. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

130. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

131. [Bookplate for L. Emile Grothé by Aimé Dufesne] [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.

132. [Bookplate for L. M. Stauffer by Stanley Harrod] [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'.

133. [Bookplate for Leida Eerme and A. Lavdovsky by A. Gastmans] [Bookplate for Leida Eerme and A. Lavdovsky by A. Gastmans] In black ink, horizontally laid flowers including two large blossoms, buds, stems, and leaves.

134. [Bookplate for Lesslie M. Sweetnam by F. F. H.] [Bookplate for Lesslie M. Sweetnam by F. F. H.] Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.

135. [Bookplate for Lieve Van Kerkhove and Martin Jackson] [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.

136. [Bookplate for Lilian Guest Cape] [Bookplate for Lilian Guest Cape] Black ink on cream paper. A crest features a lion passant with a sword in its right paw standing on a torse. A motto is printed on a small ribbon in capitalized, sans serif, black font. Bolder capitalized, sans serif, black font is below the motto. A larger ribbon with elaborated curled ends features capitalized, serif, black fond. Many lines of text follow below in a roughly diamond shape. The text is printed in capitalized, bold, serif, black font. There one final ribbon at the bottom of the bookplate featuring the owner’s name in thinner, sans serif, black font.

137. [Bookplate for Lipot Kecskemeti and J. E. Horvath] [Bookplate for Lipot Kecskemeti and J. E. Horvath] In brown ink, this elaborate bookplate depicts an artistic representation of the light of ten candles radiating through what appears to be the shape of the ten commandment tablets. The light energy streams up between a floral arrangement of roses and another flower through an encircled Star of David and into the heavens represented by stars and a cresent moon.

138. [Bookplate for London Public Library and Art Museum] [Bookplate for London Public Library and Art Museum] This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name.

139. [Bookplate for Lorne A. Pierce by Marjorie Sankey] [Bookplate for Lorne A. Pierce by Marjorie Sankey] Printed in black ink on thick yellow/brown paper with visible chain and laid lines. The facade of a building entrance is supported and surrounded by a large tree. The owner's name appears in the otherwise blank doorway and two horizontal strips on the surrounding columns appear to be blacked out by hand.

140. [Bookplate for Louis Berger by Rene de Brem] [Bookplate for Louis Berger by Rene de Brem] In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus.
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results 121-140 of 218 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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